The Marcus Undergraduate Research Fellowship

The Marcus Undergraduate Research Fellowship award supports research and creative activity conducted by undergraduate students in partnership with a faculty mentor. Recipients of the Marcus Fellowship will be part of a cohort of fellows engaged in programming that supports research throughout the course of the fellowship. This fellowship opportunity is aimed at undergraduates interested in working closely with a faculty member to develop, complete and present a research project. Applications for 2027–2028 will open in Spring 2027.

Fellowship Overview

Deadline for submission: To be announced.

Award amount: $4,000 ($3,000 to student, $1,000 to faculty mentor)

Timeline: Awardees are typically notified by the end of the spring semester. The Marcus Fellowship begins in the following fall and extends through spring of the following year.

Submit an Application

Students from a broad range of backgrounds and experiences are encouraged to apply. These fellowships aim to enrich student learning rather than to reward past performance.

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Requirements and Expectations

Student Eligibility

  • Students must be declared undergraduate majors in the College of Liberal & Creative Arts. LCA minors can apply if their project is housed in the LCA and their mentor is an LCA faculty. Priority will be given to LCA majors.
  • Student must be enrolled during both the fall and spring semesters of the awarded academic year.
  • Students must not be studying abroad in 2026-27.

Faculty Eligibility

  • The faculty mentor should be a tenured or tenure-track full-time faculty member in the College of Liberal & Creative Arts.
  • The faculty mentor must commit to mentorship of the student fellow across a range of research or creative activities relevant to their discipline including project development and presentation of results.
  • The faculty mentor must commit to meeting weekly or biweekly with the student.

Project Requirements and Expectations

Receiving Units

  • Projects may be in conjunction with or independent of existing, scheduled coursework
  • If independent, then the project may lead to course credits (e.g., 699 units)
  • If in conjunction with a course then the project must involve significant activity beyond the course requirements

All recipients of the Marcus Fellowship are expected to participate in the following activities

  • Periodic meetings among the Marcus Fellows, faculty mentors, and program coordinator.
  • An orientation / opening reception at the beginning of the Fall 2026 semester.
  • An outreach event to connect with potential future applicants.
  • A recognition event near the end of the 2026-2027 academic year.

Deliverables

  • Student recipients are expected to attend at least one conference to present their work; this may be a student research conference such as the LCA Undergraduate Research Showcase, or the student section of a professional conference.
  • At the end of the spring semester, the fellows are expected to submit a report (1000 words) summarizing their year-long project, and all other materials that pertain to their work, i.e. a paper, portfolio, etc.

Proposal

Preparing a Proposal

  1. Interested students should approach a faculty member with a project in mind and ask whether the faculty member is willing to serve a mentor for the project. Students should provide the faculty member with this document at the first meeting.
  2. The student, under the guidance and supervision of the faculty mentor, will prepare the proposal for submission. Keep in mind that proposals may take several weeks to develop and complete.

Components of the Proposal

The PDF document containing the research proposal will be written in Times 12 font, single-spaced, and with one-inch margins. The document should contain the following parts labeled according to the print in bold:

  1. Title of the Project: The title of the project should describe the project succinctly.
  2. Research Question or Project Goal: (1 sentence)
  3. Abstract: (100-150 words)
  4. Personal Statement: This section includes the student’s academic interests and goals, the way in which receiving the grant would help advance those goals, and any personal information the student and faculty mentor think would be useful to convey to the review committee. Students should make sure to articulate how the Fellowship is necessary for the execution of the project (maximum 500 words).
  5. Project Proposal Narrative: In this section, the student introduces the project, states the research question, describes the methods that will be used, and explains the value of the project (maximum 1,000 words).
  6. Timeline: This section provides a proposed timeline for the project from beginning to end, including mentor meetings, tasks associated with the project, and completion dates for the various activities. (maximum 1 page)
  7. Bibliography (optional): Provide a list of sources referenced in the proposal in the format and style expected in your discipline.
  8. Unofficial Transcript: For SFSU coursework only.
  9. Course Status: Is the project independent or part of a course? (If yes, then in one paragraph identify all of the activities that are beyond the course requirements)
  10. Faculty Statement: This section is prepared by the faculty mentor and explains the merits of the project, the likelihood the project can be completed in the timeline provided, describes the mentoring plan (e.g., frequency of meetings), and other information the faculty member thinks reviewers might find helpful (maximum 500 words)
  1. Overall quality and clarity of the proposal
  2. Realistic scope of the project and likelihood of completion
  3. Potential impact on student, the value of personal outcomes
    • Motivation and alignment with student's personal goals and development
  4. Clear evidence of a student-initiated project
  5. Level of faculty collaboration, as described in the timeline and faculty statement
  6. Student preparation, evidence of the training necessary to conduct the activity
    • Shows familiarity with the relevant literature or discipline-specific practices
    • Attention to/awareness of contribution of proposal to their field
  7. Does the project fit the award: “supports research and creative activity conducted by undergraduate students in partnership with a faculty mentor.”
  8. Demonstration of need for the Fellowship
    • How is this project outside regular academic pursuits

Marcus Research Fellowship Grant: Current and Past Winners

YearTitleFellowDepartment/SchoolMentor
2027 – 2028The Cycle of Black CreativesEliza ArthurDepartment of JournalismJosh Davis
2027 – 2028New Cartographies: Remapping Discarded NewsKirk CrippensSchool of ArtLorena Molina
2027 – 2028Comics as a Language: Exploring the Intersection of Comics and LinguisticsXiomara GuevaraSchool of Liberal StudiesNick Sousanis
2027 – 2028English Speakers’ Comprehension of French OnomatopoeiaVindrew SanderferDepartment of EnglishAnastasia Smirnova
2025 – 2026Adaptive Solutions: Expanding Function for TiLite WheelchairsDavid AusmanSchool of DesignFernando Felicio Dos Santos De Carvalho
2025 – 2026Comics as a Vehicle for Cultural IdentityMarcelo Cabiya-SchekerSchool of Liberal StudiesNick Sousanis
2025 – 2026The Lifelong Labor of Latina/x Women in the Bay AreaBraelyn FurseDepartment of JournalismJosh Davis
2025 – 2026Women Matter: The Impact of Women’s Participation on Post-Transition Democratic StabilityJuliet KaufmanDepartment of Political ScienceAmanda Roberti
2025 – 2026Design of a Pressure Sensitive Electric Skateboard for Enhanced Safety, Control, and AccessibilityKailen SwisherSchool of DesignSilvan Linn
2025 – 2026Getting Adults to Read More: A Human Computer Interaction InvestigationBabette WagenerDepartment of EnglishAnastasia Smirnova
2024 – 2025Understanding Workplace Gamification Through Video GamesSumayah AhmedDepartment of Comparative and World LiteratureChristopher Weinberger
2024 – 2025Revisiting The Tenderloin Times: A Journalistic Analysis of a Community’s Voice Replaced by Modern-day MediaCamila DominguezDepartment of JournalismLaura Moorhead & Josh Davis
2024 – 2025At HomeAubrey PandoriDepartment of CinemaRosa Park
2024 – 2025The Influence of Female Leadership in the Iroquois Tribe on Elizabeth Cady Stanton and Women’s Suffrage in the 1800sMaria Rubio-RuizDepartment of Women & Gender StudiesLeslie Quintanilla
2024 – 2025The BioShower: A Portable Hygiene Station for those with Limited Access to Clean WaterJacob SuttonDepartment of DesignFernando Felicio Dos Santos De Carvalho
2024 – 2025From Ink to Resistance: Batek and the Enduring Legacy amidst the United States EmpireKesiah Mae ZabalaDepartment of HistoryLaura Lisy-Wagner
2023 – 2024Queer Innovation: Use of English Loanwords Among Young LGBT+ Dutch SpeakersAva AustinDepartment of English Language and LiteratureTeresa Pratt
2023 – 2024Le triomphe des opprimés (The Triumph of the Oppressed): Analysis and Translation of American-Creole Narrative Identity in L’Union and La Tribune de la Nouvelle-Orléans, Louisiana’s Oldest Civil-War Era Afro-Creole Newspapers (in French)Laine BarrigaDepartment of Humanities and Comparative World LiteraturePersis Karim
2023 – 2024The Christian Conservative Supreme Court: An Analysis of the Roberts Court’s Religious LibertyEleanor BooneDepartment of Political ScienceAmanda Roberti
2023 – 2024Labor Unions: Political Determinants of Unionization Trends in JournalismGabriela Calvillo AlvarezDepartment of Political ScienceWhitney Taylor
2023 – 2024What Can Comics Be? An investigation into the potential forms and affordances of comicsAshley NortmanSchool of Liberal StudiesNick Sousanis
2023 – 2024Carrying the Pandemic: An Experimental Poem About Essential Workers and HyperobjectsAndrew PimentelDepartment of Creative WritingAndrew Joron
2023 – 2024Vietnamese Rock & SoulTam VuDepartment of JournalismJosh Davis
2022 – 2023Developing Postmodern Feminism via Transliteration of Kawakami Mieko’s "Breast and Eggs": The Transculturation of Anglophone and Japanese Feminist RhetoricBreanna Barton-ShawDepartment of Comparative & World LiteraturesChris Weinberger
2022 – 2023Blackbook Stories: Visual Scripts and Community Narratives within San Francisco Graffiti SubculturesJosé HernandezSchool of DesignEllen Christensen
2022 – 2023Learning to Read Petrarch: A Diary Study on Language Learning in Diverse Learning EnvironmentsGabriella MeltonDepartment of English Language and LiteratureMaricel Santos
2022 – 2023Democratic Queer Theory: Extending LGBTQ+ Civil & Social Rights GloballyKi SinghDepartment of Political ScienceAmanda Roberti
2022 – 2023Examining Direct-To-Consumer Advertising and Health Culture Through the Lens of Presidio ArchaeologyRJ StevensDepartment of AnthropologyMeredith Reifschneider
2022 – 2023Remixing Philosophy: A series of videos applying ancient ideas to modern timesAlexander VahiedSchool of Cinema, Department of PhilosophyKimbrough Moore
2022 – 2023Gerrymandering and Voter Disenfranchisement - How District Lines are Used to Suppress the Vote and How We Might Fix ItGillian WelcherDepartment of Political ScienceRebecca Eissler
2021 – 2022The Latin American Landscape: Identity and Ancestry in the works of Regina José Galindo, Ana Mendieta, Delilah Montoya and Aline MottaQuitéria ConteSchool of ArtProfessor Santhi Kavuri-Bauer
2021 – 2022Brimful World: An Avaricious Humanity is Destroying a Helpless PlanetAlexis DoukakisSchool of CinemaAssistant Professor Rosa Park
2021 – 2022Through the Wire: Negotiating Identity through History, Cinema, and the Japanese American Incarceration ExperienceKevin KodamaSchool of CinemaAssistant Professor Mayuran Tiruchelvam
2021 – 2022The Metamorphosis of The Gender Non-ConformingCarlos OsoriaDepartment of Comparative & World LiteratureAssistant Professor Leslie Quintanilla
2021 – 2022Latinx Waves in K-popGiselle PeraltaDepartment of AnthropologyAssociate Professor Dawn-Elissa Fischer
2021 – 2022Inside-Out: Literature’s Bearing on the Political Identity of Taiwan And How We Are to Understand ItSamantha ReinardDepartment of Comparative & World LiteratureAssociate Professor Chris Weinberger
2020 – 2021A Price on Pride: Understanding the Commoditization of the Queer Identity in San FranciscoMaximilian DeNemboSchool of DesignHsiao-Yun Chu
2020 – 2021Defining Rurality: An Exploration of the Rural-Urban Connection in Different Parts of the United StatesFiona DeWittPolitical Science DepartmentRebecca Eissler
2020 – 2021Explorations of Gesticulation-Based Upper Limb AppliancesLevi GilbertSchool of DesignSilvan Linn
2020 – 2021Everyday HEROs: Public Health Research during COVID-19 Shelter-in-PlaceGurjot GillAnthropology DepartmentPeter Biella
2020 – 2021Objectivity and Epistemic Commitment: Polanyi’s Critique of ReductionismAydin JangPhilosophy DepartmentArezoo Islami
2020 – 2021Korean American Cinema (1990s – Present): Confronting History and Myths in the DiasporaB. KimSchool of CinemaScott Boswell
2020 – 2021Attainability of Official CSU Intended Outcomes: A Student Experience-Based StudyYsenia MartinezSchool of DesignTara Lockhart
2020 – 2021Decline of the Latino Media in the San Francisco Bay AreaAdriana Morga OregelJournalism DepartmentLaura Moorhead
2020 – 2021The Semiotics of Power: Linguistic Structures of Neoliberal HegemonyMikey PaganSchool of Humanities and Liberal StudiesTeresa Pratt
2019 – 2020Battles, Bridges and Books: The Pursuit of Higher Education After Military ServiceJanelle Scarritt Martha Lincoln
2019 – 2020Development of a Hybrid Motorcycle Conversion Kit to Reduce Pollution in Low-Income Urban AreasAnucha (Poh) Maga Silvan Linn
2019 – 2020Does State of Residence Influence Concerns about Economic InequityHannah Galindo Ronald Hayduk
2019 – 2020Embodiment in XR: Using Research through Design Techniques in VR to Explore New Approaches to Attention, Interaction Rituals and Spatial MetaphorsCrystal Candalla Joshua McVeigh-Schultz
2019 – 2020Gender’s Corporeality: Deconstructing Trans-Boundaries in CinemaLindhan Le Elizabeth Ramirez-Soto
2019 – 2020Ireland and the Rise of Left-Wing NationalismMikayla Cordero Amy Skonieczny
2019 – 2020Potential WildernessDuriel Meisner Sean McFarland
2019 – 2020Social Media Usage and Political Behavior: Understanding How Situational Context Impacts ParticipationJorge Urroz Francis Neely
2019 – 2020The Construct of Love and Sexuality in 17th-Century JapanKayla Ratliff Laura Lisy-Wagner
2019 – 2020The Value of LifeJamila Hayes Celine Parreñas Shimizu

 

San Francisco State University logo with the text: "The George and Judy Marcus Funds for Excellence in the Liberal Arts."